Collect

Collect for the Fourth Sunday after Trinity

O God, the protector of all that trust in thee, without whom nothing is strong, nothing is holy: increase and multiply upon us thy mercy; that, thou being our ruler and guide, we may so pass through things temporal, that we finally lose not the things eternal; grant this, O heavenly Father, for the sake of Jesus Christ thy Son our Lord, who liveth and reigneth with thee, in the unity of the Holy Spirit, ever one God, world without end. Amen.
Showing posts with label Crucifixion. Show all posts
Showing posts with label Crucifixion. Show all posts

Saturday, March 24, 2018

Meditations for Holy Week 2018

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Palm Sunday
(Matthew 21.1-11, Mark 11.1-11, Luke 19.28-44, John 12.12-18)

Here is no continuing city, here is no abiding stay.
Ill the wind, ill the time, uncertain the profit, certain the danger.
O late late late, late is the time, late too late, and rotten the year;
Evil the wind, and bitter the sea, and grey the sky, grey grey grey.
O Thomas, return, Archbishop; return, return to France.
Return. Quickly. Quietly. Leave us to perish in quiet.
You come with applause, you come with rejoicing, but you come bringing death into Canterbury:
A doom on the house, a doom on yourself, a doom on the world.

We do not wish anything to happen.
Seven years we have lived quietly,
Succeeded in avoiding notice,
Living and partly living.
There have been oppression and luxury,
There have been poverty and license,
There has been minor injustice.
Yet we have gone on living,
Living and partly living.

—T. S. Eliot, Murder In the Cathedral

Fig Monday
(Matthew 21.12-22, Mark 11.12-26, Luke 19.45-48)

A shadow passed over Saruman’s face; then it went deathly white. Before he could conceal it, they saw through the mask the anguish of a mind in doubt, loathing to stay and dreading to leave its refuge. For a second he hesitated, and no one breathed. Then he spoke, and his voice was shrill and cold. Pride and hate were conquering him.

—J. R. R. Tolkien, The Two Towers

Temple Tuesday
(Matthew 21.23-26.2, Mark 11.27-13.37, Luke 20.1-21.38, John 12.19-50)

Professing only a moral union, they fled
from the new-spread bounty; they found a quarrel with the Empire
and the sustenance of Empire, with the ground of faith and earth,
the golden and rose-creamed flesh of the grand Ambiguity. [1]

Fast as they, the orthodox imagination
seized on the Roman polity; there, for a day,
beyond history, holding history at bay,
it established through the themes [2] of the Empire the condition of Christendom
and saw everywhere the manumission of grace into glory.
Beyond the line of ancient imperial shapes
it saw the Throne of primal order, the zone
of visionary powers, and almost (in a cloud) the face
of the only sublime Emperor; as John once
in Patmos, so then all the Empire in Byzantium:
the Acts of the Throne were borne by the speeding logothetes, [3]
and the earth flourished, hazel, corn, and vine. [4]

—Charles Williams, The Region of the Summer Stars, ‘Prelude’

Spy Wednesday
(Matthew 26.3-16, Mark 14.1-11, Luke 22.1-6)

If suddenly he should change his mind,
Tell the dark boy with copper hair
To go, to go,
And he went, lamenting, granting
His mercy from eyes like ruined planets—
Would the end of the world find him friendless?
Before God Glorified, he thought,
I shall stand,
And my knees knock from not kneeling.

Only his mother, he supposed, and one or two
With whom he had never been possessed,
Might say something to extenuate,
Might ask forgiveness for a fool’s despair.
But then, suddenly, he laughed,
Saying
The bars are all open in hell.

—Dunstan Thompson, Lament for the Sleepwalker, ‘Merciful God This is a Strange Reckoning’


Maundy Thursday
(Matthew 26.17-46, Mark 14.12-42, Luke 22.7-46, John 13.1-17.26)

And a woman spoke, saying, Tell us of pain.
And he said:
Your pain is the breaking of the shell that encloses your understanding.
Even as the stone of the fruit must break, that its heart may stand in the sun, so must you know pain.
And could you keep your heart in wonder at the daily miracles of your life, your pain would not seem less wondrous than your joy;
And you would accept the seasons of your heart, even as you have always accepted the seasons that pass over your fields.
And you would watch with serenity through the winters of your grief.

Much of your pain is self-chosen.
It is the bitter potion by which the physician within you heals your sick self.
Therefore trust the physician, and drink his remedy in silence and tranquility:
For his hand, though heavy and hard, is guided by the tender hand of the Unseen,
And the cup he brings, though it burn your lips, has been fashioned of the clay which the Potter has moistened with His own sacred tears.

—Kahlil Gibran, The Prophet

Good Friday
(Matthew 26.47-27.61, Mark 14.43-15.47, Luke 22.47-23.53, John 18.1-19.42)

Father was eighty years old now, and promptly at 8.45 each evening—an hour sooner than formerly—he would open the Bible, the signal for prayers, read one chapter, ask God’s blessing on us through the night, and by 9.15 be climbing the stairs to his bedroom. Tonight, however, the Prime Minister was to address the nation at 9.30. One question ached through all of Holland like a long-held breath: would there be war?

… Then the Prime Minister’s voice was speaking to us, sonorous and soothing. There would be no war. He had had assurances from high sources on both sides. Holland’s neutrality would be respected. It would be the Great War all over again. There was nothing to fear. Dutchmen were urged to remain calm and to—

The voice stopped. Betsie and I looked up, astonished. Father had snapped off the set and in his blue eyes was a fire we had never seen before.

‘It is wrong to give people hope when there is no hope,’ he said. ‘It is wrong to base faith upon wishes. There will be war. The Germans will attack and we will fall.’

He stamped on his cigar stub in the ashtray beside the radio and with it, it seemed, the anger too, for his voice grew gentle again. ‘Oh my dears, I am sorry for all Dutchmen now who do not know the power of God. For we will be beaten. But He will not.’

—Corrie ten Boom, The Hiding Place

Holy Saturday
(Matthew 27.62-66, Luke 23.54-56)

A voice came from beyond the river: ‘Do not do it.’

Instantly—I had been freezing cold till now—a wave of fire passed over me, even down to my numb feet. It was the voice of a god. Who should know better than I? A god’s voice had once shattered my whole life. They are not to be mistaken. It may well be that by trickery of priests men have sometimes taken a mortal’s voice for a god’s. But it will not work the other way. No one who hears a god’s voice takes it for a mortal’s.

‘Lord, who are you?’ said I.

‘Do not do it,’ said the god. ‘You cannot escape Ungit [5] by going to the deadlands, for she is there also. Die before you die. There is no chance after.’

‘Lord, I am Ungit.’

But there was no answer. And that is another thing about the voices of the gods; when once they have ceased, though it is only a heart-beat ago and the bright hard syllables, the heavy bars or mighty obelisks of sound, are still master in your ears, it is as if they had ceased a thousand years before, and to expect further utterance is like asking for an apple from a tree that fruited the day the world was made.

—C. S. Lewis, Till We Have Faces


Easter Sunday
(Matthew 28.1-8, Mark 16.1-20 [6], Luke 24.1-49, John 20.1-23)

A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort’s was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco’s wand:

Avada Kedavra!

Expelliarmus!

The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort’s green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling … toward the master it would not kill, who had come to take full possession of it at last. …

One shivering second of silence, the shock of the moment suspended: and then the tumult broke around Harry as the screams and the cheers and the roars of the watchers rent the air. The fierce new sun dazzled the windows as they thundered toward him, and the first to reach him were Ron and Hermione, and it was their arms that were wrapped around him, their incomprehensible shouts that deafened him. Then Ginny, Neville, and Luna were there, and then all the Weasleys and Hagrid, and Kingsley and McGonagall and Flitwick and Sprout, and Harry could not hear a word that anyone was shouting, nor tell whose hands were seizing him, pulling him, trying to hug some part of him, hundreds of them pressing in, all of them determined to touch the Boy Who Lived, the reason it was over at last …

—J. K. Rowling, Harry Potter and the Deathly Hallows

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[1] They here refers to the heretics of the first several centuries and particularly to the Gnostic and Nestorian heretics, whose beliefs refused either the fact or the fullness of the Incarnation (the grand Ambiguity of the two Natures, human and divine).
[2] In Byzantine terminology, a theme was roughly equivalent to a province.
[3] The office of logothete was an administrative role, originally applying to financial affairs and eventually extended to the civil service generally.
[4] The hazel in Williams’ poetry is typically cited because of its pedigree as a tool in magic (wands being by preference made of hazel), and thus by extension as a sign for transcendent and supernatural things generally; corn in contemporary British English could be used to signify grain in general, as opposed to maize in particular. Thus, hazel, corn, and vine could be understood as the spiritual, civil, and cultural aspects of the Empire, or as a trinal symbol of the Eucharist itself (spiritual power in combination with the grain and wine derived from corn and vine), or most probably both.
[5] In Till We Have Faces, Ungit is a pagan goddess of fertility, vaguely equivalent to Aphrodite, but more Sumerian in character, with a devouring aspect as well.
[6] Mark 16.1-9 are original to the Gospel. Mark 16.11-20 are more dubious, and seem to represent a redactor’s effort to harmonize the ending of Mark with the ending of Luke.

Saturday, April 8, 2017

Meditations for Holy Week 2017

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Below is my traditional set of meditations for Holy Week; this year I decided to choose them all from among poems. The title of each day is also a link to a passage in the Gospels that gives the day its name and/or recounts what happened on it, and (in my opinion) goes well with the poetic selection.

If you’re in the Baltimore area or willing to be, Mount Calvary (816 North Eutaw Street) will be having Triduum liturgies at 7 pm on Maundy Thursday, 12 noon on Good Friday, and 8.30 pm on Holy Saturday. We’ll also be holding a Tenebræ service on Wednesday evening at 7.30, and our customary Sunday Masses are at 8 am and 10 am, Palm Sunday and Easter included.


As in a fish-pond clear and still, the fish
Draw to some dropped-in morsel as it moves,
Hoping it may provide a dainty dish,
So I saw splendors draw to us in droves,
Full many a thousand, and from each was heard:
‘Lo, here is one that shall increase our loves!’
And every shade approaching us appeared
Glad through and through, so luminously shone
Its flooding joy before it as it neared.1


The Adam in the hollow of Jerusalem respired:
softly their thought twined to its end,
crying: O parent, O forkèd friend,
am I not too long meanly retired
in the poor space of joy’s single dimension?
Does not God vision the principles at war?
Let us grow to the height of God and the Emperor:
Let us gaze, son of man, on the Acts in contention.

The Adam climbed the tree; the boughs
rustled, withered, behind them; they saw
the secluded vision of battle in the law;
they found the terror in the Emperor’s house.

The tree about them died undying,
the good lusted against the good,
the Acts in conflict envenomed the blood,
on the twisted tree hung their body wrying.

Joints cramped; a double entity
spewed and struggled, good against good;
they saw the mind of the Emperor as they could,
his imagination of the wars of identity.

He walked slowly through his habitation
in the night of himself without him; Byzantium slept;
a white pulsing shape behind him crept,
the ejection to the creature of the creature’s rejection of salvation.

Conception without control had the Adam of the error;
stifled over their head, the tree’s bright beam
lost in the sides of the pit its aerial stream;
they had their will; they saw; they were torn in the terror.2


For the Commons convene in the Hall of the Nation; like spirits of fire in the beautiful
Porches of the Sun, to plant beauty in the desart craving abyss, they gleam
On the anxious city; all children new-born first behold them; tears are fled,
And they nestle in earth-breathing bosoms. So the city of Paris, their wives and children,
Look up to the morning Senate, and visions of sorrow leave pensive streets.
But heavy brow’d jealousies lower o’er the Louvre, and terrors of ancient Kings
Descend from the gloom and wander through the palace and weep round the King and his Nobles.
While loud thunders roll, troubling the dead, Kings are sick throughout all the earth,
The voice ceas’d: the Nation sat: and the triple-forged fetters of times were unloos’d.
The voice ceas’d: the Nation sat: but ancient darkness and trembling wander thro’ the palace.3


Here is no continuing city, here is no abiding stay.
Ill the wind, ill the time, uncertain the profit, certain the danger.
O late late late, late is the time, late too late, and rotten the year;
Evil the wind, and bitter the sea, and grey the sky, grey grey grey.
O Thomas, return, Archbishop; return, return to France.
Return. Quickly. Quietly. Leave us to perish in quiet.
You come with applause, you come with rejoicing, but you come bringing death into Canterbury:
A doom on the house, a doom on yourself, a doom on the world.4


Then the gates of his heart were flung open, and his joy flew far over the sea. And he closed his eyes and prayed in the silences of his soul.
But as he descended the hill, a sadness came upon him, and he thought in his heart:
How shall I go in peace and without sorrow? Nay, not without a wound in the spirit shall I leave this city.
Long were the days of pain I have spent within its walls, and long were the nights of aloneness; and who can depart from his pain and his aloneness without regret?
Too many fragments of the spirit have I scattered in these streets, and too many are the children of my longing that walk naked among these hills, and I cannot withdraw from them without a burden and an ache.
It is not a garment I cast off this day, but a skin that I tear with my own hands.
Nor is it a thought I leave behind me, but a heart made sweet with hunger and with thirst.5


‘Mater Dei
Et mater mei’
Come, let us with the mariners invoke
‘Mater divinae gratiae
Star of the Sea
Santa Maria
Pray for me’

How many times
Has she been summoned by those trusting rhymes?
Did they echo from the porthole
Just above the spray
Where the native sailors sang
At moments through the day
Of their mother
God’s own Mother
Christ their brother?
Did the crying sea-gulls seem to pray
When the ship’s bells rang
A clamorous Angelus
Mingled with the De Profundis too?
And all the bells were ringing to bring help to you

And failed
And the ship sailed
Out into the translucent blue
And you were sinking
Under the green marble mountains
In the bitter sea

And did you think
She would forget you in your loss?—

Mary, who took you to her heart
With Tom, Dick, and Harry
All the sad sons especially
Whom Christ gave her from the start
When He looked from the Cross
At the bars and the bedrooms
And the Devil in the street
When He watched you through the Blood
That poured across His eyes

The bells
The bells had rung in Heaven

There on the absolutely even
Suddenly silent ocean
She stood
And the sea-roses clustered at her feet6


Since I am coming to that Holy roome,
Where, with thy Quire of Saints for evermore,
I shall be made thy Musique; As I come
I tune the Instrument here at the dore,
And what I must doe then, thinke here before.

Whilst my Physitians by their love are growne
Cosmographers, and I their Mapp, who lie
Flat on this bed, that by them may be showne
That this is my South-west discoverie
Per fretum febris, by these streights to die,

I joy, that in these straits, I see my West;
For, though their currants yeeld returne to none,
What shall my West hurt me? As West and East
In all flatt Maps (and I am one) are one,
So death doth touch the Resurrection.

… We thinke that Paradise and Calvarie,
Christs Crosse, and Adams tree, stood in one place;
Looke Lord, and finde both Adams met in me;
As the first Adams sweat surrounds my face,
May the last Adams blood my soule embrace.7


Then at the altar We sang in Our office the cycle of names
of their great attributed virtues; the festival of flames
fell from new sky to new earth; the light in bands
of bitter glory renewed the imperial lands.

Then the Byzantine ritual, the Epiclesis, began;
then their voices in Ours invoked the making of man;
petal on petal floated out of the blossom of the Host,
and all ways the Theotokos conceived by the Holy Ghost.

We exposed, We exalted the Unity; prismed shone
web, paths, points; as it was done
the antipodean zones were retrieved round a white rushing deck,
and the Acts of the Emperor took zenith from Caucasia to Carbonek.

Over the altar, flame of anatomized fire,
the High Prince stood, gyre in burning gyre;
day level before him, night massed behind;
the Table ascended; the glories intertwined.

The Table ascended; each in turn lordliest and least—
slave a squire, woman and wizard, poet and priest;
interchanged adoration, interdispersed prayer,
the ruddy pillar of the Infant was the passage of the porphyry stair.8

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1Dante Alighieri, Paradiso V.100-109.
2Charles Williams, Taliessin Through Logres, ‘The Vision of the Empire’ η.
3William Blake, The French Revolution I.54-64.
4T. S. Eliot, Murder in the Cathedral.
5Kahlil Gibran, The Prophet.
6Dunstan Thompson, The Death of Hart Crane, ll. 9-52.
7John Donne, Hymne to God my God, in my Sicknesse, ll. 1-15, 21-25.
8Charles Williams, Taliessin Through Logres, ‘Taliessin at Lancelot’s Mass’ ll. 25-44.